Calling myself an aspiring director and only ever pursuing assisting jobs has firmly cemented in my mind that that is all I am worth and capable of doing. But why have I been doing this?
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Unfortunately working in the film industry can sometimes leave you with feelings of doubt, impostor syndrome, and a general lack of self-confidence. But something you might notice in those that have moved their way up the film career ladder is that no matter how much skill you have or how much knowledge you possess, it's the confidence that sells it.
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Little Women is a magical journey into the world of Louisa May Alcott's novel of the same name. Feeling like a modern romance film rather than the stuffy period piece it could very easily have been. Gerwig's writing and direction make this the pinnacle of classic adaptation for the 21st century.
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The debut directing credit from Rachel Griffiths, Ride Like A Girl is the story of Australian jockey Michelle Payne and her journey towards becoming the first-ever female to win the biggest horse race in the country, The Melbourne Cup.
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What came first human values or religion? It’s this chicken and the egg question that Penny Lane’s documentary Hail Satan? aims to unpack, focusing on the lack of separation of church and state that has become incredibly evident within American politics.
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When you think of the zombie apocalypse genre images of rotting corpses lumbering their way through empty streets in a mindless search for brains are probably what you’d picture first along with titles like 28 Days Later, The Walking Dead, or World War Z. Well Endzeit, the second feature from filmmaker Carolina Hellsgard, takes this traditional concept and twists it challenging what we think we know about the disaster film.
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