The debut directing credit from Rachel Griffiths, Ride Like A Girl is the story of Australian jockey Michelle Payne and her journey towards becoming the first-ever female to win the biggest horse race in the country, The Melbourne Cup.
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There is a desperate need for unique storytelling to make a comeback in cinema. This week I got to take a deep breath for the first time in a while when I finally watched Sara Colangelo's The Kindergarten Teacher.
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What came first human values or religion? It’s this chicken and the egg question that Penny Lane’s documentary Hail Satan? aims to unpack, focusing on the lack of separation of church and state that has become incredibly evident within American politics.
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Have you ever laughed so hard that your insides hurt? Well if not I would recommend going to see Booksmart directed by Olivia Wilde.
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This is a very colourful film with some great cinematic choices when it comes to shots, and the overall production design really gives each character their own identity and makes each location pop. It’s chaotic and fast and its comical tone is set right from the opening scene.
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In today’s media landscape, the concept of immigration fear is prevalent, particularly in Australia. In Iceland, this issue has only recently bubbled to the surface and as such Ásthildur Kjartansdóttir’s feature film debut, The Deposit, is one of the only ones in the country to bring it to the forefront of discussion.
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When you think of the zombie apocalypse genre images of rotting corpses lumbering their way through empty streets in a mindless search for brains are probably what you’d picture first along with titles like 28 Days Later, The Walking Dead, or World War Z. Well Endzeit, the second feature from filmmaker Carolina Hellsgard, takes this traditional concept and twists it challenging what we think we know about the disaster film.
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Directed by Anna Boden and Ryan Fleck this is the first Marvel movie to have a woman at the helm, both in front and behind the camera. There is an overall theme of getting knocked down and getting back up again but this time there's a feminine twist.
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I honestly didn't consciously choose to see two lesbian films in my Sydney Film Festival viewings, but I'm glad that it worked out that way. Both Rafiki directed by Wanuri Kahiu and The Miseducation of Cameron Post directed by Desiree Akhavan were new stories that I had not experienced before.
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I began my Sydney Film Festival experience with The Breaker Upperers by New Zealand comedy duo Madeleine Sami and Jackie Van Beek who both wrote, directed, and starred in the film. What struck me straight away about this movie was its true New Zealand style of comedy.
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When I first heard that Half the Picture was going to be at the Sydney Film Festival I knew I wanted to see it. The style was familiar documentary interview format but this meant that the film focused on the stories of the many women that were interviewed including Ava DuVernay, Mary Harron, Jill Soloway, and Lena Dunham just to name a few.
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